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Monday 5 December 2011

La longue durée

 Morris Berman / Dark Ages America

La longue durée is an expression used by the Annales School of French historians to indicate an approach that gives priority to long-term historical structures over short-term events. The phrase was coined by Fernand Braudel in an article he published in 1958. Basically, the Annales historians held that the short-term time-scale is the domain of the chronicler and the journalist, whereas la longue durée concentrates on all-but-permanent or slowly evolving structures. Thus beneath the twists and turns of any economic system, wrote Braudel, which can seem like major changes to the people living through them, lie "old attitudes of thought and action, resistant frameworks dying hard, at times against all logic." An important derivative of the Annales research is the work of the World Systems Analysis school, including Immanuel Wallerstein and Christopher Chase-Dunn, which similarly focuses on long-term structures: capitalism, in particular.

The “arc” of capitalism, according to WSA, is about 600 years long, from 1500 to 2100. It is our particular (mis)fortune to be living through the beginning of the end, the disintegration of capitalism as a world system. It was mostly commercial capital in the sixteenth century, evolving into industrial capital in the eighteenth and nineteenth centuries, and then moving on to financial capital—money created by money itself, and by speculation in currency—in the twentieth and twenty-first. In dialectical fashion, it will be the very success of the system that eventually does it in.

The last time a change of this magnitude occurred was during the fourteenth and fifteenth centuries, during which time the medieval world began to come apart and be replaced by the modern one. In the classic study of the period, The Waning of the Middle Ages, Dutch historian Johan Huizinga depicted the time as one of depression and cultural exhaustion—like our own age, not much fun to live through. One reason for this is that the world is literally perched over an abyss (brilliantly depicted at the end of Shakespeare’s The Tempest). What is on deck, so to speak, is largely unknown, and to have to hover over the unknown for a long time is, to put it colloquially, a bit of a drag. The same thing was true at the time of the collapse of the Roman Empire as well (on the ruins of which the feudal system slowly arose).


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