The Phantom of the (tragic) Middle East Opera is back. A killer without a clue, he can’t be blamed for not being consistent.
His most recent opus speaks for itself; like a Kabuki mask high on Earl Grey tea, the Phantom is eviscerated by his own mighty pen, actually sword.
The fact that the Phantom keeps getting away with his vast desert of convoluted lies – instead of languishing in some rotten, extraordinary rendition hotel – spells out all we need to know about so-called Western “elites”, of which he’s been a faithful, and handsomely rewarded, servant.
So Western “inaction” in Syria has led to the latest Iraq tragedy? Sorry, Tony; it was yours and “Dubya’s” 2003 Shock and Awe “action” that set the whole Shakespearean tragedy in motion.
The Phantom always wanted the Obama administration to bomb Syria, as much as he labored for “Dubya” to destroy Iraq. Phantom logic never considered that would have installed in Damascus the same Islamic State of Iraqi and the Levant (ISIL) that is now making a push towards Baghdad.
His most recent opus speaks for itself; like a Kabuki mask high on Earl Grey tea, the Phantom is eviscerated by his own mighty pen, actually sword.
The fact that the Phantom keeps getting away with his vast desert of convoluted lies – instead of languishing in some rotten, extraordinary rendition hotel – spells out all we need to know about so-called Western “elites”, of which he’s been a faithful, and handsomely rewarded, servant.
So Western “inaction” in Syria has led to the latest Iraq tragedy? Sorry, Tony; it was yours and “Dubya’s” 2003 Shock and Awe “action” that set the whole Shakespearean tragedy in motion.
The Phantom always wanted the Obama administration to bomb Syria, as much as he labored for “Dubya” to destroy Iraq. Phantom logic never considered that would have installed in Damascus the same Islamic State of Iraqi and the Levant (ISIL) that is now making a push towards Baghdad.
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