Comment: It's one thing to have the yin-yang symbol now fully commoditized but to usher in a robot to entice younger generations into the philosophy of a transhumanist Buddhism would no doubt have the Buddha turning in his grave...
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The Diplomat
Kyoto, Japan’s ancient former capital, is home to temples, shrines, and imperial gardens. As the birthplace of Japanese tradition, the city attracts some 53 million tourists every year.
Recently, the famed 400-year old Kodaiji Temple in Kyoto unveiled a modern makeover. The world’s first sutra-chanting android deity, modelled after Kannon the Buddhist Goddess of Mercy, was introduced to the public last week. Kannon is worshiped by thousands of temples in Japan as a deity who helps people in distress; now the country’s fascination with robotics has made its way into that worship.
Kodaiji Temple Administrator Tensho Goto wanted to spread the word of Buddhism to a younger generation losing touch with the tradition. He enlisted the help of pioneer Professor Hiroshi Ishiguro, head of intelligent robotics at Osaka University, who has made a name for himself in robotic research on the world stage.
The resulting android version of Kannon, named “Mindar,” stands on a pedestal at 195 centimeters tall (6 feet, 4 inches), weighs 60 kilograms, and is made with silicon and aluminum. Like many of Ishiguro’s popular telenoid robots, Mindar takes a gender-neutral human form. The appearance is kept to a bare minimum — almost like a naked robot. But as an android embodying the Goddess of Mercy, Mindar had special features designed to evoke both feminine and masculine qualities. With an open head of exposed aluminum wires and a mechanical lower half, Mindar might not be how some would picture a robotic Kannon. However, the plain facial features give room for visitors to use their own imagination in how they’d like the deity to appear.
Read more
See also: Technocracy
-------------------
The Diplomat
Kyoto, Japan’s ancient former capital, is home to temples, shrines, and imperial gardens. As the birthplace of Japanese tradition, the city attracts some 53 million tourists every year.
Recently, the famed 400-year old Kodaiji Temple in Kyoto unveiled a modern makeover. The world’s first sutra-chanting android deity, modelled after Kannon the Buddhist Goddess of Mercy, was introduced to the public last week. Kannon is worshiped by thousands of temples in Japan as a deity who helps people in distress; now the country’s fascination with robotics has made its way into that worship.
Kodaiji Temple Administrator Tensho Goto wanted to spread the word of Buddhism to a younger generation losing touch with the tradition. He enlisted the help of pioneer Professor Hiroshi Ishiguro, head of intelligent robotics at Osaka University, who has made a name for himself in robotic research on the world stage.
The resulting android version of Kannon, named “Mindar,” stands on a pedestal at 195 centimeters tall (6 feet, 4 inches), weighs 60 kilograms, and is made with silicon and aluminum. Like many of Ishiguro’s popular telenoid robots, Mindar takes a gender-neutral human form. The appearance is kept to a bare minimum — almost like a naked robot. But as an android embodying the Goddess of Mercy, Mindar had special features designed to evoke both feminine and masculine qualities. With an open head of exposed aluminum wires and a mechanical lower half, Mindar might not be how some would picture a robotic Kannon. However, the plain facial features give room for visitors to use their own imagination in how they’d like the deity to appear.
Read more
See also: Technocracy
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