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Friday, 9 December 2011

J. Edgar and the Terrorism of Film


Bad job Clint. We can't really expect anything less than a Hollywood whitewash when FBI consultants have been used to define reality....
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Black Agenda Report

A Black Agenda Radio commentary by editor and columnist Jared Ball

Clint Eastwood’s new movie is an attempt to sanitize J. Edgar Hoover’s dirty war to keep white men “atop the social pyramid.” It is also an apartheid film. “We get nothing of his concern over The Black Panther Party, or the surveillance and deportation of people like Claudia Jones and C.L.R. James, or culpability in the killings of say, Malcolm X and Fred Hampton (to name but a few).” It makes the case for a justifiable police state, in which “Hoover is cast positively as a much needed and tough organizer of law enforcement, a protege of Attorney General Palmer's raids against the violent radical terrorists of their day. [...]
Hoover returns even in death to remind the liberal, the affluent, the White that their place atop the social pyramid is legitimate and must be protected by any means necessary.”

J. Edgar, the new film by Clint Eastwood, is a real horror film, it is an act of violence, an act of terrorism. The film's careful construction of FBI founding father J. Edgar Hoover as a flawed but justifiable hero rather than an individual villain performing the tasks of a villainous institution has hit theaters with the precision timing of a predator drone strike and with similar political design. As old antagonisms produce new and threatening responses, as new generations emerge taking their turn asking serious questions about the planet, equality, justice and self-determination, be they occupiers or decolonizers, Hoover returns even in death to remind the liberal, the affluent, the White that their place atop the social pyramid is legitimate and must be protected by any means necessary. And no matter what they say they love him for it."



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